Interruptions from the morning of Residency day 8

An interruption made around language, rhizomatic thinking, music lyrics and birthday possibilities 

Helen Clark joins Andrew Conroy to talk photography, walking and the different positions of the flâneur and fugere, movement or stasis in spaces, class, voyeurism and cultural capital

other researchers join in the discussions

I fight for improvisation, but always with the belief that it is impossible

Rachel Smith will be working all day in the foyer today

from 1pm onwards:

She will be collaborating with Jo Ray on timed diversions to explore the area within a 10-minute radius of the foyer, bringing back fragments of footage and digital images which will provoke the making of further impromptu responses. 

Jo Ray is an artist, researcher, and lecturer based in Sheffield. Her current practice explores encounters with models and sites of model use. Scale play is recurrent in her work, which uses diverse methods in response to spatial and social situations, archives material, and artefacts. She is interested in the potential of spaces where speculation, play and enthusiasm are possible, and the tipping place between emulation and improvisation. During her practice-led doctoral research, Ray has used artistic practice as a means of exploring ‘model-ness’ and modelling in enthusiast and self-organising communities, undertaking residencies in the autonomous township Christiania in Copenhagen, and a model railway enthusiasts club in Sheffield.

Residency Day 5

Lots of conversation have been sparked today in response to the work
and many interruptions of a useful nature

Error and reflection

In the act of typing I am experiencing error with repeated frustration.

This leads me to consider my own relation with the laptop keyboard and the more gentle approach it seems to require by comparison. 

Vilem Flusser explores the act of writing as digging, a penetrating gesture which cuts away rather than constructs, he makes the connection even to the typewriter despite resembling the piano:

The pointed pencil […] reminds us of course much more of the original gesture of scratching than does the typewriter, which reminds us of nothing in our tradition except the piano […] it is evident that to type is still to ‘impress’, namely a gesture that presses into a surface, although in fact it presses ink onto a surface. Its intention is one of digging.

But I am aware of how little the laptop keys impact or press on either the paper or my own body. 

Except perhaps the bodily cramp which comes from being unaware of how long I have been sat writing and staring at the screen for. The gritty dry eye is by far my biggest physical discomfort.

Today people have come back to comment on how their fingers are still vibrating even after finishing a short burst of typing.

The typewriter has been a revealing object which tells something of peoples age in their encounter with it. Many have stories to tell of using them, as well as those who have come curious and excited for their first encounter.

The laptop screen seems a portal which links to a wider space, whereas the typewriter focuses attention towards a single letter and is a much more contained activity.

There have been discussions about process. How the thinking process disappears when writing digitally. Marginalia, notes, scribbles, errors and corrections all vanish, leaving little evidence of the effort or editing that has gone into sculpting the final result.

Auto correct and the difficulty of working without a safety net has been apparent today, yet there have also been discussions around the errors which are corrected by the computer unnecessarily, as well as the restrictions which we will accept and work under in our relation with technology and machines.

Residency Day 3

More interruptions

The noise of the typewriters is drawing people in....

Come along and try out your skills at writing from before the digital auto correct was invented